Born in the drive-in theater backseats of the 1970s, the demonic visions of Teen Movie Hell fueled the VCR, cable TV, and shopping mall multiplex booms of the 1980s before collapsing in the 1990s in a pixelated pile of cable dissipation and Internet indulgences. Between George Lucas’s American Graffiti in 1973 and Richard Linklater’s Dazed and Confused twenty years later, lust-driven laugh riots on the order of Animal House, Porky’s, Fast Times at Ridgemont High, and Revenge of the Nerds boomed at the box office and conquered […]
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